Bibliography
This bibliography is automatically generated with Zotero in Chicago author-date style and may include mistakes. If you notice any mistakes, please let me know.
All readings are either online and open-access, in which case you can simply click the link, or can be accessed through our course reserves.
Readings calendar
- Week 1 (Aug 27): Théberge 2017, Bates 2018
- Week 2 (Sep 3): Katz 2022, Wright 2024 Ch. 4
- Week 3 (Sep 10): Tresch and Dolan 2013, De Souza 2017
- Week 4 (Sep 17): Gotham and Gunn 2016, Cole 2024
- Week 5 (Sep 24): Eidsheim 2017, Malawey 2020
- Week 6 (Oct 1): Duguay 2022, Barna and McLaughlin 2024
- Week 7 (Oct 8): No readings
- Week 8 (Oct 15): Easley 2015, Burns 2019
- Week 9 (Oct 22): Koozin 2024, chs. 1 & 2
- Week 10 (Oct 29): Théberge 1997, Pinch and Trocco 2004
- Week 11 (Nov 5): Lavengood 2019, Burke 2024
- Week 12 (Nov 12): Eidsheim 2019, Galuszka 2025
Bibliography
Burke, Kevin R. 2023. “Hard Limitations and Soft Possibilities: A ‘Systematic’ History of Early Video Game Sound Technology.” In The Oxford Handbook of Video Game Music and Sound, edited by Mark Nicholas Grimshaw-Aagaard and William Gibbons. New York: Oxford University Press.
Burns, Chelsea. 2019. “‘Together Again,’ but We Keep On Crying: Buck Owens, Tom Brumley, and the Pedal Steel Guitar, 1964.” Music Theory Online 25 (2). http://mtosmt.org/issues/mto.19.25.2/mto.19.25.2.burns.html.
Cole, Christa. 2024. “Hands, Fingers, Strings, and Bows: Performance Technique and Analysis in J.S. Bach’s Largo for Solo Violin.” Music Theory Online 30 (3). https://doi.org/10.30535/mto.30.3.1.
De Souza, Jonathan. 2017a. “Beethoven’s Prosthesis.” In Music at Hand: Instruments, Bodies, and Cognition. Oxford Studies in Music Theory. New York, NY: Oxford University Press.
———. 2017b. “Horns to Be Heard.” In Music at Hand: Instruments, Bodies, and Cognition. Oxford Studies in Music Theory. New York, NY: Oxford University Press.
Easley, David B. 2015. “Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83).” Music Theory Online 21 (1). https://doi.org/10.30535/mto.21.1.3.
Eidsheim, Nina Sun. 2017. “Maria Callas’s Waistline and the Organology of Voice.” The Opera Quarterly 33 (3): 249–68. https://doi.org/10.1093/oq/kbx008.
Gotham, Mark R. H., and Iain A. D. Gunn. 2016. “Pitch Properties of the Pedal Harp, with an Interactive Guide.” Music Theory Online 22 (4). https://doi.org/10.30535/mto.22.4.3.
Katz, Mark. 2022. “Five Theses about Music and Technology.” In Music and Technology: A Very Short Introduction, edited by Mark Katz, 0. Oxford University Press. https://doi.org/10.1093/actrade/9780199946983.003.0007.
Koozin, Timothy. 2024a. “Guitar Voicing I: Barre Chords, Gesture, and Agency.” In Embodied Expression in Popular Music: A Theory of Musical Gesture and Agency, edited by Timothy Koozin, 0. Oxford University Press. https://doi.org/10.1093/oso/9780197692981.003.0002.
———. 2024b. “Guitar Voicing II: Open-String Chords, Fretboard Strategies, and Virtual Spaces.” In Embodied Expression in Popular Music: A Theory of Musical Gesture and Agency, edited by Timothy Koozin, 0. Oxford University Press. https://doi.org/10.1093/oso/9780197692981.003.0003.
Malawey, Victoria. 2020. “Quality.” In A Blaze of Light in Every Word: Analyzing the Popular Singing Voice, 0. Oxford University Press. https://doi.org/10.1093/oso/9780190052201.003.0004.
Théberge, Paul. 2017. “Musical Instruments as Assemblage.” In Musical Instruments in the 21st Century, edited by Till Bovermann, Alberto De Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, and Stefan Weinzierl. Singapore: Springer. https://doi.org/10.1007/978-981-10-2951-6.
Tresch, John, and Emily I. Dolan. 2013. “Toward a New Organology: Instruments of Music and Science.” Osiris 28 (1): 278–98. https://doi.org/10.1086/671381.
Wright, Brian F. 2024. The Bastard Instrument. University of Michigan Press. https://press.umich.edu/Books/T/The-Bastard-Instrument2.